Most creative vocal recording software for singers
You'll find plenty of reverb (or not) on a Nat King Cole recording, but you'd have to be a blithering idiot to double or chorus his voice. But while a very broad statement that may not be accurate 100% of the time, there is more than just a grain of truth in there that I think needs to be represented in this thread. Put the no-effect effect on the clean track and the parallel effect on the effect track and they'll stay in phase.Ĭlick to expand.Well, I did say that kinda half tongue-in-cheek.
![most creative vocal recording software for singers most creative vocal recording software for singers](https://bluetree.ai/wp-content/uploads/2020/08/PreSonus-Studio-One-review-1024x576.jpg)
threshold at it's highest and ratio at it's lowest and no make-up gain.
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In that case set up the same effect but adjusted so that it has no effect on the clean track e.g. Some software has latency compensation but other software doesn't. With any parallel technique, it's important to keep the clean and effect tracks in phase by putting them through the same "length" of processing. If the original lacks texture, fake it using parallel compression but with a slow attack to make it spikey. It will sound nasty and lumpy on its own but bring this up underneath the clean track and it will enhance the texture. Clone the track and expand the clone so that all the dynamics are exaggerated. This is a nice alternative to turning the guitar up and down in the mix.
Most creative vocal recording software for singers plus#
For example vocals plus rhythm guitar - when the voice is there you want the guitar to be less present but in the gaps you want it to step forward. Use automation or fader rides when you want that instrument to be more obvious.
![most creative vocal recording software for singers most creative vocal recording software for singers](https://bluetree.ai/wp-content/uploads/2020/08/Recording-Software-creations-1024x565.jpg)
Sometimes its handy to clone the track and use EQ to boost the presence (or more exactly to CUT everything EXCEPT the presence frequencies). Very handy for vocals that occasionally get lost in the mix because it sets the minimum loudness for the vocal. You'll be surprised how little of the squashed track needed - too much and you'll hear the compression and the effect is lost. Then mix the clean track as usual but bring up the squashed track until you can hear the vocal sounding stronger and more confident. Clone the track, put the clone through a really aggressive compressor and EQ it to make it strong and present. It's eq - just boost the hell out of 1kHz and set a tight Q. I also like to create the occasional "telephone" voice for breakdown sections. someone did a nice write up of different ways to play with this a while back. Then mix the dry original with just enough of the shifted tracks to fatten things up. Shift one track up a third or half step and the other down in the same increment. If you want to experiment and have plenty of open tracks, one popular trick is to create two clones of the original track and run them through a pitch shifter.
![most creative vocal recording software for singers most creative vocal recording software for singers](https://m.media-amazon.com/images/I/814CQ-esUzL._AC_SL1500_.jpg)
You don't want to print the effects onto your main vocal recording, as you'll then be stuck with that particular effect when it comes time to mix. I think what iqi is suggesting is that if you're going to record effects, record the dry vocal to track 1 and the effect return to track 2.